The Matachines dance is a ritual drama performed on certain saint's days in Pueblo Indian and Mexicano/Hispano communities along the upper Río Grande valley in New Mexico and elsewhere in the American Southwest. It derives from a genre of medieval European folk dramas symbolizing conflict between Christians and Moors. Spaniards brought it to the Americas as a vehicle for Christianizing the Indians. In this book, Rodríguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities. There, the dance involves two lines of masked dancers, a young girl in white and her crowned, masked, male partner, a bull, and two clowns. Accompanied usually by violin and guitar, these characters enact a choreographic drama that symbolizes encounter, struggle, and transformation-resolution. In this classic, prize-winning ethnographic study, anthropologist and native New Mexican Sylvia Rodríguez compares Indian Pueblo and Hispano Matachines dance performance traditions to discover what they share, how they differ, what they reveal about specific communities, and what they mean to those who continue to perform them with devotion and skill.
The Matachines dance is a ritual drama performed on certain saint's days in Pueblo Indian and Mexicano/Hispano communities along the upper Río Grande valley in New Mexico and elsewhere in the American Southwest. It derives from a genre of medieval European folk dramas symbolizing conflict between Christians and Moors. Spaniards brought it to the Americas as a vehicle for Christianizing the Indians. In this book, Rodríguez explores the colorful, complex, and often enigmatic Matachines dance as it is performed today. In the Upper Rio Grande Valley of New Mexico, the Matachines is the only ritual dance performed in both Indian Pueblos and Hispano communities. There, the dance involves two lines of masked dancers, a young girl in white and her crowned, masked, male partner, a bull, and two clowns. Accompanied usually by violin and guitar, these characters enact a choreographic drama that symbolizes encounter, struggle, and transformation-resolution. In this classic, prize-winning ethnographic study, anthropologist and native New Mexican Sylvia Rodríguez compares Indian Pueblo and Hispano Matachines dance performance traditions to discover what they share, how they differ, what they reveal about specific communities, and what they mean to those who continue to perform them with devotion and skill.
The Matachines dance is a ritual drama performed on certain saint's days in Pueblo Indian and Mexicano/Hispano communities along the upper Río Grande valley in New Mexico and elsewhere in the...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
An assault on the senses, part murder mystery, part metaphysical speculation; a fable for our times as catchy as a rock song blasting from the window of a sports car.*PRE-ORDER HARUKI MURAKAMI'S NEW...
What happens to aid projects after the money is spent? Or the people and communities once the media spotlight has left?No Dancing, No Dancing follows the return journey of a former aid worker...
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