An exploration of public performance in everyday life, by the leading cultural and social thinker
The Performer explores the relations between performing in art (particularly music), politics and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Richard Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances.
The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing.
This is the first in a trilogy of books on the fundamental DNA of human expression: performing, narrating, and imaging.
An exploration of public performance in everyday life, by the leading cultural and social thinker
The Performer explores the relations between performing in art (particularly music), politics and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Richard Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances.
The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing.
This is the first in a trilogy of books on the fundamental DNA of human expression: performing, narrating, and imaging.
Within the wide range of writings on performance studies, theoreticians and practitioners have been using the concepts of performance and performativity as key terms for explaining different social,...
Performing and Performance: An Introduction is a clear and concise handbook to the key connections between dramaturgical exercises and performance studies. Haus looks at the way the concept of...
Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United...
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