How might women in the Bible tell their stories if they were prompted to do so by Eve Ensler's controversial play, The Vagina Monologues? This collection imagines some answers to that question. The monologues herein are written by a variety of authors, including scholars, undergraduates, clergy, and laywomen; the content of the narratives reflects this variety, being at times faithful or irreverent, tragic or even funny. All seek to give twenty-first-century voices to women in canonical texts--including the Hebrew Bible, Deuterocanonical books, and New Testament--who are often speechless, nameless, or otherwise marginalized. Not for the faint of heart, these monologues not only end the silences but also add flesh and bone to characters whose experiences have too easily been justified, metaphorized, or altogether ignored. By naming the torn places in these women's stories, this volume invites readers to encounter both the biblical characters and their contemporary interpreters with an attitude of compassionate listening. Our hope is that such compassionate listening may contribute not only to more just readings of sacred texts, but also to the mission of Eve Ensler and V-Day to end global violence against women and girls.
How might women in the Bible tell their stories if they were prompted to do so by Eve Ensler's controversial play, The Vagina Monologues? This collection imagines some answers to that question. The monologues herein are written by a variety of authors, including scholars, undergraduates, clergy, and laywomen; the content of the narratives reflects this variety, being at times faithful or irreverent, tragic or even funny. All seek to give twenty-first-century voices to women in canonical texts--including the Hebrew Bible, Deuterocanonical books, and New Testament--who are often speechless, nameless, or otherwise marginalized. Not for the faint of heart, these monologues not only end the silences but also add flesh and bone to characters whose experiences have too easily been justified, metaphorized, or altogether ignored. By naming the torn places in these women's stories, this volume invites readers to encounter both the biblical characters and their contemporary interpreters with an attitude of compassionate listening. Our hope is that such compassionate listening may contribute not only to more just readings of sacred texts, but also to the mission of Eve Ensler and V-Day to end global violence against women and girls.
Finlay McDonough wants nothing more than to be a Dragon Knight: a warrior bound with a dragon partner, intent on ridding the kingdom of its dragon-killing monarchy. Well, she might want one thing...
We live in a time where dragons no longer cease to exist, and where the mystical magic of elves and their kind are now just children's stories.for it has been a thousand years past that this magic...
Written by the medieval English poet John Lydgate, The Life of Our Lady is a beautiful and moving tribute to the Virgin Mary. Part 1 covers Mary's childhood and early life, while Part 2 focuses on...
The life of our Lady Part I. - With glossary and a biographical notice of the author is an unchanged, high-quality reprint of the original edition of 1879.Hansebooks is editor of the literature on...
""The Country Housewife And Lady�������s Director, Part 2: In The Management Of A House, And The Delights And Profits Of A Farm"" is a book written by Richard Bradley in 1732. This book is a...
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