In an era where digital devices increasingly mediate our perception of reality, this book explores the tension between the richness of direct sensory experience and the allure of the screen. It examines how our growing dependence on virtual spaces and visually dominant media has led to a disconnect from our bodies and environment, contributing to a sense of alienation — both personal and ecological. Drawing on an autoethnographic approach, artistic research methods and ethnographic interviews with experts across numerous disciplines, this book argues for the continuing importance of lived, embodied, multi-sensory experience. It considers how the arts, rather than merely reinforcing technological mediation, can actively subvert the passivity imposed on our subjectivity by the latter — offering creative strategies to re-engage with the world through all our senses. By using artistic processes to navigate the tension between the virtual and the real, the book explores how creative practices can generate new ways of seeing, feeling and understanding. At its core, this work suggests that to even begin to address the current environmental crisis, we must first return to our bodies and come back to our senses — literally and figuratively. Through artistic experimentation, philosophical inquiry and sensory exploration, it proposes a reawakening to the reciprocity between body, technology and environment, offering a pathway towards a more conscious, engaged and aesth-ethical way of inhabiting the world.
In an era where digital devices increasingly mediate our perception of reality, this book explores the tension between the richness of direct sensory experience and the allure of the screen. It examines how our growing dependence on virtual spaces and visually dominant media has led to a disconnect from our bodies and environment, contributing to a sense of alienation — both personal and ecological. Drawing on an autoethnographic approach, artistic research methods and ethnographic interviews with experts across numerous disciplines, this book argues for the continuing importance of lived, embodied, multi-sensory experience. It considers how the arts, rather than merely reinforcing technological mediation, can actively subvert the passivity imposed on our subjectivity by the latter — offering creative strategies to re-engage with the world through all our senses. By using artistic processes to navigate the tension between the virtual and the real, the book explores how creative practices can generate new ways of seeing, feeling and understanding. At its core, this work suggests that to even begin to address the current environmental crisis, we must first return to our bodies and come back to our senses — literally and figuratively. Through artistic experimentation, philosophical inquiry and sensory exploration, it proposes a reawakening to the reciprocity between body, technology and environment, offering a pathway towards a more conscious, engaged and aesth-ethical way of inhabiting the world.
An autobiography of a South African Black, this book tells of the life of a political activist, driven into exile, back to his homeland, and to return into exile again. It explores his formative...
Our Lady of the Exile is a study of Cuban-American popular Catholicism, focusing on the shrine of Our Lady Charity in Miami. Drawing on a wide range of sources and using both historical and...
After the years of turmoil and tragedy, life at La Bonne Vie Plantation settled into placid contentment (or a semblance of such) ... until Nicolas (Nicky) Fontenot, prodigal son of Angelique and her...
A powerful and heartbreaking collection of firsthand accounts from refugees and exiles around the world, The Voice of Our Exiles provides an unflinching look at the human toll of war, persecution,...
1969: What happens when your government betrays your friends, and magic is the only power you have to save the world?Jasmine Jones--nineteen year old hereditary sorcerer and proud member of the Black...
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