In this original and fascinating book, Stuart Clark investigates the cultural history of the senses in early modern Europe. At a time in which the nature and reliability of human vision was a focus for debate in medicine, art theory, science, and philosophy, there was an explosion of interest in the truth (or otherwise) of miracles, dreams, magic, and witchcraft. Was seeing really believing? Vanities of the Eye wonderfully illustrates how this was woven
into contemporary works such as Macbeth - deeply concerned with the dangers of visual illusion - and exposes early modern theories on the relationship between the real and the virtual.
Vanities of the Eye investigates the cultural history of the senses in early modern Europe, a time in which the nature and reliability of human vision was the focus of much debate. In medicine, art theory, science, religion, and philosophy, sight came to be characterised as uncertain or paradoxical - mental images no longer resembled the external world. Was seeing really believing? Stuart Clark explores the controversial debates of
the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. The truth and function of religious images and the authenticity of miracles
and visions were also questioned with new vigour, affecting such contemporary works as Macbeth - a play deeply concerned with the dangers of visual illusion. Clark also contends that there was a close connection between these debates and the ways in which philosophers such as Descartes and Hobbes developed new theories on the relationship between the real and virtual. Original, highly accessible, and a major contribution to our understanding of European
culture, Vanities of the Eye will be of great interest to a wide range of historians and anyone interested in the true nature of seeing.
Vanities of the Eye investigates the cultural history of the senses in early modern Europe, a time in which the nature and reliability of human vision was the focus of much debate. In medicine, art theory, science, religion, and philosophy, sight came to be characterised as uncertain or paradoxical - mental images no longer resembled the external world. Was seeing really believing? Stuart Clark explores the controversial debates of
the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. The truth and function of religious images and the authenticity of miracles
and visions were also questioned with new vigour, affecting such contemporary works as Macbeth - a play deeply concerned with the dangers of visual illusion. Clark also contends that there was a close connection between these debates and the ways in which philosophers such as Descartes and Hobbes developed new theories on the relationship between the real and virtual. Original, highly accessible, and a major contribution to our understanding of European
culture, Vanities of the Eye will be of great interest to a wide range of historians and anyone interested in the true nature of seeing.
Come eye to eye with some of nature's most impressive creatures as Graeme Base takes you on a richly illustrated journey of imagination and possibility. Adventure Awaits in Every Page A child,...
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