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Undressing Cinema

Clothing and identity in the movies

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Paperback / softback
06 November 1997
$114.10
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From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
* the eroticism of period costume in films such as The Piano and The Age of Innocence
* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
* generic male chic in Goodfellas, Reservoir Dogs, and Leon
* pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City
* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

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    Product Details
    ISBN-13
    9780415139571
    Author
    Stella Bruzzi
    Publisher
    Taylor & Francis Ltd
    Published
    06 November 1997
    Format
    Paperback / softback

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    $114.10
    Ships in 3-5 business days

    Delivery estimate

    Hurry up! Current stock:

    Undressing Cinema

    $114.10

    Description

    From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
    Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
    * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
    * the eroticism of period costume in films such as The Piano and The Age of Innocence
    * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
    * generic male chic in Goodfellas, Reservoir Dogs, and Leon
    * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City
    * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

    You Can Find This Title In

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