From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism--one that cuts across traditional boundaries of class, race, and ethnicity.
The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice.
Brooks Hefner shows how writers across a variety of popular genres--from Gertrude Stein and Williams Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska--employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
From the hard-boiled detective stories of Dashiell Hammett to the novels of Claude McKay, The Word on the Streets examines a group of writers whose experimentation with the vernacular argues for a rethinking of American modernism--one that cuts across traditional boundaries of class, race, and ethnicity.
The dawn of the modernist era witnessed a transformation of popular writing that demonstrated an experimental practice rooted in the language of the streets. Emerging alongside more recognized strands of literary modernism, the vernacular modernism these writers exhibited lays bare the aesthetic experiments inherent in American working-class and ethnic language, forging an alternative pathway for American modernist practice.
Brooks Hefner shows how writers across a variety of popular genres--from Gertrude Stein and Williams Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska--employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
WHAT HAPPENS WHEN TWO SEMINARY PROFESSORS LEAVE their classrooms and spend time among the homeless people and teach on city streets? In this unique collection of essays and sermons, Stanley P...
A darkly comic reflection on homelessness, life writing and dermatology.The homeless are dying; a pestilence is sweeping them off the streets, while the authorities herd the not-yet-dead into...
In The Word on the Street, John Martens brings the Bible to where people live: in the church, at home, at work, and in the broader world. This Lectionary commentary for every Sunday of the...
In The Word on the Street, John Martens brings the Bible to where people live: in the church, at home, at work, and in the broader world. This Lectionary commentary for every Sunday of the liturgical...
First published in 1859, this dictionary is a fascinating exploration of the slang and colloquial language of Victorian England. It includes definitions of a wide variety of terms commonly used at...
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