George MacDonald (1824-1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ""gospel"" proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire sucking the blood of her children instead of offering them eucharistic life.In contrast, like Christ, MacDonald brings before us a child. Although at first sight a familiar Romantic incarnation, in MacDonald's theology ""the child"" becomes an unlikely icon challenging the vampire's kingdom--a challenge reaching beyond the confines of Evangelicalism, confronting the foundations of much of Western theology. This meticulously-researched study exploring MacDonald's work--especially his ""realist"" and fantasy novels--in the light of its Victorian context is of more than historical interest. His incisive critique of church and empire have particular relevance today in light of the growing and troubling alliance between fundamentalist expressions of church and intolerant, right-wing politics. This volume considers MacDonald's radical solution to religious vampirism; becoming children.
George MacDonald (1824-1905) was writing at a time of Evangelical unease. In a society ravaged by Asiatic cholera, numbed by levels of infant mortality, and fearful of revolution and the toxicity of industry (to name but a few of the many challenges), the ""gospel"" proclaiming eternal damnation for unbelievers was hardly good news; rather, Christianity was increasingly viewed as the source of bad news and a tool of state oppression. MacDonald agreed: in his view, the church had become a vampire sucking the blood of her children instead of offering them eucharistic life.In contrast, like Christ, MacDonald brings before us a child. Although at first sight a familiar Romantic incarnation, in MacDonald's theology ""the child"" becomes an unlikely icon challenging the vampire's kingdom--a challenge reaching beyond the confines of Evangelicalism, confronting the foundations of much of Western theology. This meticulously-researched study exploring MacDonald's work--especially his ""realist"" and fantasy novels--in the light of its Victorian context is of more than historical interest. His incisive critique of church and empire have particular relevance today in light of the growing and troubling alliance between fundamentalist expressions of church and intolerant, right-wing politics. This volume considers MacDonald's radical solution to religious vampirism; becoming children.
C. S. Lewis once remarked that his debt to George MacDonald's writings was ""almost as great as one man can owe to another . . . I know hardly any other writer who seems to be closer, or more...
This definitive one-volume anthology, assembled by renowned MacDonald scholar Rolland Hein, highlights the essential elements of George MacDonald's thought and demonstrates the full range of his...
If you don't have the time to read all the novels of George MacDonald, the great Scottish storyteller who inspired C. S. Lewis, G. K. Chesterton, Mark Twain, W. H. Auden, and J. R. R. Tolkien, this...
These are devotionals for everyone who would like to become familiar - but not overwhelmed - with the great thinking of legendary men of God's Word. George MacDonald was an author, poet and Christian...
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