"More than simply a survey of an ancient city's most significant buildings, The Stones of Venice¿first published in three volumes between 1851 and 1853¿is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume III, which looks at Venetian buildings of the Early, Roman, and ¿grotesque¿ Renaissance, provides an analysis of the transitional forms of Arabian and Byzantine architecture while tracing the city¿s spiritual and architectural decline. Unabridged, and containing Ruskin¿s original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture is a treasure for students and scholars alike.The preeminent art critic of his time, British writer JOHN RUSKIN (1819¿1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I¿IV (1843¿1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862¿3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."
"More than simply a survey of an ancient city's most significant buildings, The Stones of Venice¿first published in three volumes between 1851 and 1853¿is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume III, which looks at Venetian buildings of the Early, Roman, and ¿grotesque¿ Renaissance, provides an analysis of the transitional forms of Arabian and Byzantine architecture while tracing the city¿s spiritual and architectural decline. Unabridged, and containing Ruskin¿s original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture is a treasure for students and scholars alike.The preeminent art critic of his time, British writer JOHN RUSKIN (1819¿1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I¿IV (1843¿1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862¿3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."
The Stones Of Venice (Volume III): Volume III - The FallThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an...
"More than simply a survey of an ancient city's most significant buildings, The Stones of Venice¿first published in three volumes between 1851 and 1853¿is an expression of a philosophy of art,...
A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
The Stones Of Venice (Volume II): Volume II - The Sea StoriesThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature...
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