This book examines the working world of the playwright in nineteenth-century Britain. It was often a risky and financially uncertain profession, yet the magic of the theatre attracted authors from widely different backgrounds - journalists, lawyers, churchmen, civil servants, printers and actors, as well as prominent poets and novelists. In a fascinating account of the frustrations and the rewards of dramatic authorship, Stephens uncovers information on the playwright's earnings, relationships with actors, managers, publishers and audience, and offers a perspective on his growing status as a professional. Further chapters focus on the struggle for copyright reform and the complexities of dramatic publishing. A large number of major and minor authors are discussed, among them Planche, Fitzball, Boucicault, Pinero, Grundy, Gilbert, Jones and Shaw.
There is more to the town of Leander than meets the eye, and there is more to human nature than either humanity or nature. People visit every summer.Most keep coming back.The rest can never leave...
Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...