The first scholarly consideration of the over eight hundred haiku written late in Wright's lifeEssays by: Shawnrece D. Campbell Lee Gurga Yoshinobu Hakutani Richard A. Iadonisi Toru Kiuchi Sanehide Kodama Thomas L. Morgan Sachi Nakachi Meta L. Schettler Jianqing ZhengThe Other World of Richard Wright: Perspectives on His Haiku reveals Richard Wright's poetic vision toward the human world. Through the minimal form of haiku, Wright (1908-1960) found his poetic connection to nature. This sensibility displays not only the change in him as a writer but also the tenderness in him as a human being.These essays open up a new territory in Wright studies by tracing the development of Wright's aesthetic and its relationship to African and Japanese cultures. The book tells how haiku offered a therapeutic outlet for Wright in his final two years of life in Paris, explores the influence of Zen Buddhism on Wright's haiku, and delivers a thematic analysis of Wright's haiku. The collection also gives us a focused examination of how Wright's haiku reveal a conflict between nature and culture, how women are exploited for labor and sex by the culture at-large, and how the South in Wright's haiku symbolizes a place full of dreams, memories, hardships, and loneliness with his images of cotton, freight trains, croaking frogs, magnolia trees, and hog-killing.Jianqing Zheng, Greenwood, Mississippi, is professor and chair of English at Mississippi Valley State University. He is the editor of Valley Voices: A Literary Review. A noted Wright scholar, Zheng's work on the writer has appeared in the Explicator, Southern Quarterly, Modern Haiku, Frogpond, Notes on Contemporary Literature, and other periodicals.
The first scholarly consideration of the over eight hundred haiku written late in Wright's lifeEssays by: Shawnrece D. Campbell Lee Gurga Yoshinobu Hakutani Richard A. Iadonisi Toru Kiuchi Sanehide Kodama Thomas L. Morgan Sachi Nakachi Meta L. Schettler Jianqing ZhengThe Other World of Richard Wright: Perspectives on His Haiku reveals Richard Wright's poetic vision toward the human world. Through the minimal form of haiku, Wright (1908-1960) found his poetic connection to nature. This sensibility displays not only the change in him as a writer but also the tenderness in him as a human being.These essays open up a new territory in Wright studies by tracing the development of Wright's aesthetic and its relationship to African and Japanese cultures. The book tells how haiku offered a therapeutic outlet for Wright in his final two years of life in Paris, explores the influence of Zen Buddhism on Wright's haiku, and delivers a thematic analysis of Wright's haiku. The collection also gives us a focused examination of how Wright's haiku reveal a conflict between nature and culture, how women are exploited for labor and sex by the culture at-large, and how the South in Wright's haiku symbolizes a place full of dreams, memories, hardships, and loneliness with his images of cotton, freight trains, croaking frogs, magnolia trees, and hog-killing.Jianqing Zheng, Greenwood, Mississippi, is professor and chair of English at Mississippi Valley State University. He is the editor of Valley Voices: A Literary Review. A noted Wright scholar, Zheng's work on the writer has appeared in the Explicator, Southern Quarterly, Modern Haiku, Frogpond, Notes on Contemporary Literature, and other periodicals.
Richard Wright, the Mississippi-born black writer, saw himself as “an outsider between two cultures,” a man searching. In these twelve essays written over the last two decades Michel Fabre, Wright’s...
Richard Wright and Transnationalism sees Dr. Mamoun Alzoubi argue that renowned American Author, Richard Wright, transformed the way that we approach comparative literature by beginning to look at...
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