Ramón del Valle-Inclán (1866-1936) was undoubtedly the most controversial literary figure of his generation. Whilst his genius was recognised by fellow writers, the reading public was slow to accept his work, and his theatre taxed directors and audiences alike. One of the harshest criticisms levelled against him concerned his use of repetition. This study shows how the reuse, recycling and development of material becomes one of the hallmarks of Valle-Inclán's writing during the first three decades of his literary career, linking one genre with another and blurring the borders between different aesthetics. The repetition of themes and motifs, characters and stylistic devices reveals an underlying interdependence among works that on the surface appear unconnected or even contradictory. Many of Valle-Inclán's works have been studied in isolation, rather than as pieces of a whole. This book examines the elements that provide significant links in his writing between 1889 and 1922, most of which shares the common backdrop of Galicia, and demonstrates that apparently unrelated works are part of a larger picture. Despite changes in perspective and genre, there are constants that relate individual works to those that precede and follow, creating a unifying pattern of continuity.
Ramón del Valle-Inclán (1866-1936) was undoubtedly the most controversial literary figure of his generation. Whilst his genius was recognised by fellow writers, the reading public was slow to accept his work, and his theatre taxed directors and audiences alike. One of the harshest criticisms levelled against him concerned his use of repetition. This study shows how the reuse, recycling and development of material becomes one of the hallmarks of Valle-Inclán's writing during the first three decades of his literary career, linking one genre with another and blurring the borders between different aesthetics. The repetition of themes and motifs, characters and stylistic devices reveals an underlying interdependence among works that on the surface appear unconnected or even contradictory. Many of Valle-Inclán's works have been studied in isolation, rather than as pieces of a whole. This book examines the elements that provide significant links in his writing between 1889 and 1922, most of which shares the common backdrop of Galicia, and demonstrates that apparently unrelated works are part of a larger picture. Despite changes in perspective and genre, there are constants that relate individual works to those that precede and follow, creating a unifying pattern of continuity.
Among the great figures of European modernism, Ramón Maria del Valle-Inclán (1866-1936) remains relatively unknown and unappreciated outside his native Spain. His large and diverse oeuvre includes...
Seminar paper del año 2008 en eltema Romanística - Español, literatura, cultura general, Nota: 1,5, Universidad de Sevilla, Idioma: Español, Resumen: En muchas obras de Valle-Inclán se puede...
El pueblo Harappa ocupó el valle del Indo durante unos dos mil años, ¡todo ello sin conflictos ni guerras!La civilización del valle del Indo se fundó hace al menos cinco mil años en la zona que hoy...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks,...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks,...
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