In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
This monograph offers a concise and detailed overview of some remarkable recent discoveries of Byzantine ceramic art in and around Constantinople. Henry Wallis is a leading expert in the field, and...
Byzantine philosophy is an almost unexplored field. Being regarded either as mere scholars or as primarily religious thinkers, Byzantine philosophers, for the most part, have not been studied on...
""History of the Byzantine Empire: From 716 to 1057"" is a book written by George Finlay in 1906. The book provides a comprehensive account of the Byzantine Empire during the period of 716 to 1057...