Shakespeare's Theater of Nature argues that Shakespeare combined art and nature in new ways while experimenting with relations between words, images, and objects as sources of knowledge and pleasure. Shakespeare's re-centering of nature as a source of theatrical representation in a range of plays follows debates in natural philosophy and theology about how to understand divinity in and through the order of nature (ordo creationis). Early chapters analyze early modern reframing of nature by printed books of botany, cosmology, and history-as well Tudor interludes that center nature as a subject-while later chapters offer readings of eight plays by Shakespeare that draw on classical, medieval, and early modern debates in natural philosophy and theology to create new modes of dramatic mimesis.
Shakespeare's Theater of Nature argues that Shakespeare combined art and nature in new ways while experimenting with relations between words, images, and objects as sources of knowledge and pleasure. Shakespeare's re-centering of nature as a source of theatrical representation in a range of plays follows debates in natural philosophy and theology about how to understand divinity in and through the order of nature (ordo creationis). Early chapters analyze early modern reframing of nature by printed books of botany, cosmology, and history-as well Tudor interludes that center nature as a subject-while later chapters offer readings of eight plays by Shakespeare that draw on classical, medieval, and early modern debates in natural philosophy and theology to create new modes of dramatic mimesis.
In this book, Ashley Horace Thorndike provides a comprehensive study of the theater in which William Shakespeare worked and performed. Using historical and literary sources, he reconstructs the...
The Chicago Shakespeare Theater is widely known for vibrant productions that reflect the Bard's genius for intricate storytelling, musicality of language, and depth of feeling for the human condition...
This volume explores Shakespeare's interest in pity, an emotion that serves as an important catalyst for action within the plays, even as it generates one of the audience's most common responses to...
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