Shakespeare’s Philosophy Illustrated – Quaternary Teaching Aids features a series of charts and diagrams in colour throughout its 192 pages. It is organised into four distinct Parts as teaching aids for a Quaternary level of understanding. Each Part provides a distinct entry point into Shakespeare’s Sonnet philosophy. Part 1 surrounds the seventy-eight facsimile pages of the 1609 edition of Shake-speares Sonnets with succinct speech-balloon commentaries on the individual sonnets and their groupings and their relation to the companion poem A Lover’s Complaint. Part 2 has fifty-three pages of charts and diagrams illustrating aspects of the Sonnet philosophy. They examine the relationship of Shakespeare’s nature-based philosophy to philosophy in general along with the implications for a global demographic. Part 3 considers a number of historically enigmatic art works to demonstrate their relationship to all Shakespeare’s plays and poems from the vantage of the Sonnet philosophy. Part 4 further explicates the relationships between the enigmatic images illustrated in Part 3. It features an essay on the creative depth shared by Leonardo da Vinci’s one-off Mona Lisa, Marcel Duchamp’s intentionally limited oeuvre and Shakespeare’s entire output.
Shakespeare's Philosophy Illustrated - Quaternary teaching aids
RRP:
$95.00
Description
Shakespeare’s Philosophy Illustrated – Quaternary Teaching Aids features a series of charts and diagrams in colour throughout its 192 pages. It is organised into four distinct Parts as teaching aids for a Quaternary level of understanding. Each Part provides a distinct entry point into Shakespeare’s Sonnet philosophy. Part 1 surrounds the seventy-eight facsimile pages of the 1609 edition of Shake-speares Sonnets with succinct speech-balloon commentaries on the individual sonnets and their groupings and their relation to the companion poem A Lover’s Complaint. Part 2 has fifty-three pages of charts and diagrams illustrating aspects of the Sonnet philosophy. They examine the relationship of Shakespeare’s nature-based philosophy to philosophy in general along with the implications for a global demographic. Part 3 considers a number of historically enigmatic art works to demonstrate their relationship to all Shakespeare’s plays and poems from the vantage of the Sonnet philosophy. Part 4 further explicates the relationships between the enigmatic images illustrated in Part 3. It features an essay on the creative depth shared by Leonardo da Vinci’s one-off Mona Lisa, Marcel Duchamp’s intentionally limited oeuvre and Shakespeare’s entire output.
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of...
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