What are Shakespeare's uses of the conceptual space of conflict? And what has been the role played by principles, patterns and situations of conflict in the construction of the Shakespeare myth, and in its European and then global spread? This collection looks, from a truly pan-European vantage point, at the variety of conflictive and conflicting dimensions embedded in Shakespeare's texts (Part I); at the way Shakespeare's universe of discourse has been enlisted to address and dramatize conflicts of a socio-political, cultural or aesthetic nature (Part II); and at how Shakespearean meanings have been renegotiated through reception and reproduction in actual historical contexts of strife or outright belligerence (Part III). The fascinatingly complex picture that emerges from the original studies gathered here provides new insight into Shakespeare's unique position in world literature and culture.
What are Shakespeare's uses of the conceptual space of conflict? And what has been the role played by principles, patterns and situations of conflict in the construction of the Shakespeare myth, and in its European and then global spread? This collection looks, from a truly pan-European vantage point, at the variety of conflictive and conflicting dimensions embedded in Shakespeare's texts (Part I); at the way Shakespeare's universe of discourse has been enlisted to address and dramatize conflicts of a socio-political, cultural or aesthetic nature (Part II); and at how Shakespearean meanings have been renegotiated through reception and reproduction in actual historical contexts of strife or outright belligerence (Part III). The fascinatingly complex picture that emerges from the original studies gathered here provides new insight into Shakespeare's unique position in world literature and culture.
Drama and the Politics of Generational Conflict in Shakespeare's England examines the intersection between art and culture and explains how ideas about age circulated in early modern England...
This essay collection addresses the paradox that something may at once "be" and "not be" Shakespeare. This phenomenon can be a matter of perception rather than authorial intention: audiences may...
Shaul Bassi is AssociateProfessor of English and Postcolonial Literature at Ca'Foscari University ofVenice, Italy. His publications include Visionsof Venice in Shakespeare, with Laura Tosi, and...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the...
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