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Selected Plays, Volume II

August Strindberg

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This second volume begins with To Damascus I (1898), the first of a trilogy. It mirrors his own departure from the naturalism he had explored in several of his earlier works, as he set forth on a spiritual odyssey. Crimes and Crimes (1899), from the beginning of his symbolist mode, is a lighter take on the themes in To Damascus I Dance of Death I
Paperback / softback
16-October-2012
468 Pages
$67.00
Ships in 5–7 business days
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This second volume begins with To Damascus I (1898), the first of a trilogy. It mirrors his own departure from the naturalism he had explored in several of his earlier works, as he set forth on a spiritual odyssey. Crimes and Crimes (1899), from the beginning of his symbolist mode, is a lighter take on the themes in To Damascus I. The first of a two-part play, Dance of Death I (1900) depicts a dysfunctional marriage. A Dream Play (1901), one of Strindberg's most influential works, shows reality converted into a dream; many critics consider it his greatest play. In 1907, Strindberg founded the Intimate Theater in Stockholm; The Ghost Sonata (1907) and The Pelican (1907), which were written for its opening, are two examples of a chamber play, a genre that Strindberg helped to originate.

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$67.00
Ships in 5–7 business days
Hurry up! Current stock:

Selected Plays, Volume II

$67.00

Description

This second volume begins with To Damascus I (1898), the first of a trilogy. It mirrors his own departure from the naturalism he had explored in several of his earlier works, as he set forth on a spiritual odyssey. Crimes and Crimes (1899), from the beginning of his symbolist mode, is a lighter take on the themes in To Damascus I. The first of a two-part play, Dance of Death I (1900) depicts a dysfunctional marriage. A Dream Play (1901), one of Strindberg's most influential works, shows reality converted into a dream; many critics consider it his greatest play. In 1907, Strindberg founded the Intimate Theater in Stockholm; The Ghost Sonata (1907) and The Pelican (1907), which were written for its opening, are two examples of a chamber play, a genre that Strindberg helped to originate.

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