Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.
Since their publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis of a wide array of film texts. By employing Sade's controversial body-oriented philosophy within film analysis, this book provides a new understanding of notions of pain, pleasure, and the representation of the transgressive body in film. Whereas many analyses have used theory to excuse and thus dilute the power of sexual and violent images, the author has here sought to examine cinematic representations of human relations as unflinchingly as Sade did in his novels.
Donatien-Alphonse-Francois, Marquis de Sade 1740-1814, remains a man whose name is instantly recognized but whose life is obscure. Born close to royalty in the age of aristocratic decadence, he...
The Marquis de Sade is famous for his forbidden novels like Justine, Juliette, and the 120 Days of Sodom. Yet, despite Sade's immense influence on philosophy and literature, his work remains...
" Voilà un nom que tout le monde sait et que personne ne prononce, la main tremble en l'écrivant, et quand on le prononce, les oreilles vous tintent d'un son lugubre. Entrons si vous l'osez dans...
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