Samuel Beckett, one of the century's most original playwrights and novelists, was also passionately interested in music. He once told a friend that all his work had been written for a voice. Samuel Beckett and Music is a collection of essays, most written especially for the volume, which consider this aspect of his work. In it, Mary Bryden brings together a number of leading composers and academics who analyse their response to Beckett's intense musicality.
Much has been written about the importance of the viewing eye in Samuel Beckett's writing. Less attention has been paid to the place of sound and musicality. Yet Beckett once told a friend that he had always written for a voice. As well as being an accomplished pianist, Beckett was a passionate listener to music. In this study - the first full-length work to deal exclusively with Beckett and music - Mary Bryden brings together academics and composers in a
wide-ranging collection of essays. Divided into two main sections, entitled 'Words' and 'Music', the book not only analyses a number of specific musical settings of Beckett's texts, but also considers the wider
issue of sound and music within the author's work. Whether interviews, personal recollections by friends or relatives, or more formal essays, all the material in this collection has either been written specially for this volume, or is appearing for the first time in English.
Much has been written about the importance of the viewing eye in Samuel Beckett's writing. Less attention has been paid to the place of sound and musicality. Yet Beckett once told a friend that he had always written for a voice. As well as being an accomplished pianist, Beckett was a passionate listener to music. In this study - the first full-length work to deal exclusively with Beckett and music - Mary Bryden brings together academics and composers in a
wide-ranging collection of essays. Divided into two main sections, entitled 'Words' and 'Music', the book not only analyses a number of specific musical settings of Beckett's texts, but also considers the wider
issue of sound and music within the author's work. Whether interviews, personal recollections by friends or relatives, or more formal essays, all the material in this collection has either been written specially for this volume, or is appearing for the first time in English.
In The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the void--the centuries of attempts to impose form and meaning on existence,...
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