Gabriele Griffin argues that the explosion of HIV/AIDS intohighly visible cultural forms, from movies, theatre, activist interventions,and art from the late-1980s to the mid-1990s has been replaced by a retreat toartisitic invisibility.
What happened to the plague of HIV/AIDS that once seemed so threatening? Gabriele Griffin argues that the explosion of HIV/AIDS into highly visible cultural forms, from movies, theatre, activist interventions, and art from the late-1980s to the mid-1990s has been replaced by a retreat to artisitic invisibility. Griffin suggests that changes in the understanding of HIV/AIDS, the shift from "dying of the disease" to "living with it" in Western cultures, and a failure to grasp the full extent of the growth and impact of HIV/AIDS in a number of African and Asian countries has led to the "death" of the disease in the Western media.
What happened to the plague of HIV/AIDS that once seemed so threatening? Gabriele Griffin argues that the explosion of HIV/AIDS into highly visible cultural forms, from movies, theatre, activist interventions, and art from the late-1980s to the mid-1990s has been replaced by a retreat to artisitic invisibility. Griffin suggests that changes in the understanding of HIV/AIDS, the shift from "dying of the disease" to "living with it" in Western cultures, and a failure to grasp the full extent of the growth and impact of HIV/AIDS in a number of African and Asian countries has led to the "death" of the disease in the Western media.
This book aims to show the conditions and behaviors of vulnerable and marginalized people in Bangladesh which put them at risk of HIV/AIDS infection, and what their adopted coping...
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