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QWERTYUIOP

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Paperback / softback
15 July 2016
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Remember when typewriters ruled the world?It's the age of Margaret Thatcher, Britain's first woman prime minister. But the best chance most women have to get close to power - or even close to a job - is to join a Government-sponsored training course for shorthand typists. So prim Susan and sexy Frankie and depressive Sandra and busybody Pat get together to conquer the keyboard. Even if they have to suffer clapped-out keys, broken backspaces, sticky spacebars and shocking shifts. And these women also speak their minds - about men, politics, men, work, men, children, men and each other! So look out! Because they can only take so much from crippled carriage returns before they rise in rebellion.From such injustice and tyranny, the best jokes are often made. Because they cut deepest. And the result is hilarious and heart-breaking in this fast-moving play by Michael Yates.

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    Product Details
    ISBN-13
    9780993372919
    Author
    Michael Yates
    Publisher
    Lulu Press
    Published
    15 July 2016
    Format
    Paperback / softback

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    $15.84
    Ships in 3-5 business days

    Delivery estimate

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    QWERTYUIOP

    $15.84

    Description

    Remember when typewriters ruled the world?It's the age of Margaret Thatcher, Britain's first woman prime minister. But the best chance most women have to get close to power - or even close to a job - is to join a Government-sponsored training course for shorthand typists. So prim Susan and sexy Frankie and depressive Sandra and busybody Pat get together to conquer the keyboard. Even if they have to suffer clapped-out keys, broken backspaces, sticky spacebars and shocking shifts. And these women also speak their minds - about men, politics, men, work, men, children, men and each other! So look out! Because they can only take so much from crippled carriage returns before they rise in rebellion.From such injustice and tyranny, the best jokes are often made. Because they cut deepest. And the result is hilarious and heart-breaking in this fast-moving play by Michael Yates.

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