Pseudoromantik, Friedrich Kind und der Dresdener Liederkreis examines the cultural and musical landscape of Dresden during the early 19th century, focusing on the figure of Friedrich Kind and the artistic circle around him. This study sheds light on the development of German Romanticism in music and literature, exploring the unique contributions of Kind and his contemporaries.
Hermann Anders Krüger delves into the interplay between artistic expression and societal influences, offering valuable insights into the creative processes and intellectual debates of the era. The book illuminates the significance of the Dresden Liederkreis as a hub for musical innovation and cultural exchange, making it an essential resource for scholars and enthusiasts of German music history.
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