of Prose Poems is the fourth book of poetry by Saad Ali. It's the first installment in his anthology of Prose Poems. The poems, on this occasion, are a homage to the most contentious form of the literary art i.e. prose poem. The ekphrases, on this occasion, are inspired by the paintings of a number of renowned classical, modern, postmodern and contemporary painters such as Michelangelo, Munch, Dali, Dix, Chagall, Luzajic, et cetera. The literary critics profess that what differentiates this form of poetry from verse, rhyme, et cetera is its trademark id est absence of line breaks. Of breaks-there are none here in Ali's poetic discourses either. Of lines-there is a plethora of them here committed to capturing of all manner of events (from most simple to most complex) in human life. The book, inadvertently, is a tribute to Ali's hallmark apparatuses i.e. contemplation and satire that take on existence and human condition in a rather direct and concrete fashion here; whereby, reflecting on the instances of fear, nostalgia, remorse, redemption, hate, affection, romance, courage et cetera-in both subjective and objective manner. Besides being a tribute to one of the profoundest human inventions i.e. language (and its subsequent facilitations such as literature, et cetera), this florilegium also is an invitation to all (human beings) for an individual and collective reflection on existence and human condition(s)-in both subjective and objective manner.
of Prose Poems is the fourth book of poetry by Saad Ali. It's the first installment in his anthology of Prose Poems. The poems, on this occasion, are a homage to the most contentious form of the literary art i.e. prose poem. The ekphrases, on this occasion, are inspired by the paintings of a number of renowned classical, modern, postmodern and contemporary painters such as Michelangelo, Munch, Dali, Dix, Chagall, Luzajic, et cetera. The literary critics profess that what differentiates this form of poetry from verse, rhyme, et cetera is its trademark id est absence of line breaks. Of breaks-there are none here in Ali's poetic discourses either. Of lines-there is a plethora of them here committed to capturing of all manner of events (from most simple to most complex) in human life. The book, inadvertently, is a tribute to Ali's hallmark apparatuses i.e. contemplation and satire that take on existence and human condition in a rather direct and concrete fashion here; whereby, reflecting on the instances of fear, nostalgia, remorse, redemption, hate, affection, romance, courage et cetera-in both subjective and objective manner. Besides being a tribute to one of the profoundest human inventions i.e. language (and its subsequent facilitations such as literature, et cetera), this florilegium also is an invitation to all (human beings) for an individual and collective reflection on existence and human condition(s)-in both subjective and objective manner.
CHARLES BAUDELAIRETHE POEMS AND THE PROSE POEMSIntroduced by James Huneker. Edited by Jeremy Mark RobinsonCharles Baudelaire (1821-1867) was a celebrated 19th century French poet, author of the...
The first Latin American to receive a Nobel Prize for Literature, the Chilean writer Gabriela Mistral (1889-1957) is often characterized as a healing, maternal voice who spoke on behalf of women,...
This collection of poems in prose by Oscar Wilde represents an extraordinary and underappreciated aspect of the great writer's work. His light touch and gentle irony forge a subtle connection with...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
These poems are a short glimpse into works of classic literature, providing a rough sketch of their motifs and the impression they left on the poet. Some passages reflect the writing style of the...
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