Contents Preface Acknowledgements Personal Narrative I: Ambiguous Applause Popular Shakespeares Personal Narrative II: Stand-up Shakespeare Text and Metatext: Shakespeare and Anachronism Personal Narrative III: Jeffrey Archer: The One That Got Away 'A Play Extempore': Interpolation, Improvisation, and Unofficial Speech Personal Narrative IV: A Bit Sexist 'It's Like a Shakespeare Play!': Parodic Appropriations of Shakespeare Personal Narrative V: Blasphemy Shakespeare's Popular Audience: Reconstructions and Deconstructions Personal Narrative VI: Alternative Endings Shakespeare, Space, and the 'Popular' Personal Narrative VII: 'It's the Famous Bit!': Fragments of Romeo and Juliet Shakespearean 'Samples' Personal Narrative VIII: Rough Magic Notes Bibliography Index
Contents Preface Acknowledgements Personal Narrative I: Ambiguous Applause Popular Shakespeares Personal Narrative II: Stand-up Shakespeare Text and Metatext: Shakespeare and Anachronism Personal Narrative III: Jeffrey Archer: The One That Got Away 'A Play Extempore': Interpolation, Improvisation, and Unofficial Speech Personal Narrative IV: A Bit Sexist 'It's Like a Shakespeare Play!': Parodic Appropriations of Shakespeare Personal Narrative V: Blasphemy Shakespeare's Popular Audience: Reconstructions and Deconstructions Personal Narrative VI: Alternative Endings Shakespeare, Space, and the 'Popular' Personal Narrative VII: 'It's the Famous Bit!': Fragments of Romeo and Juliet Shakespearean 'Samples' Personal Narrative VIII: Rough Magic Notes Bibliography Index
In Shakespeare and the Popular Voice Annabel Patterson challenges as counter-intuitive the common opinion that Shakespeare was anti-democratic, contemptuous of the crowd and an unfailing supporter of...
William Shakespeare's sonnets are a beautiful expression of a range of human emotions - from love to grief, anger, jealousy and lust. Including the instantly recognisable 'Shall I compare thee to a...
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