From at least the eighth century and for about a thousand years the repertory of music known as Georgian chant, or plainsong, formed the largest body of written music AND was the most frequently performed and the most assiduously studied in Western civilisation. But plainsong did not follow rigid conventions. It seems increasingly clear that, whatever may have been intended with respect to uniformity and tradition, the practice of plainsong varied considerably within time and place. It is just this variation, this living quality of plainsong, that these essays address. The contributors have sought information from a wide variety of areas: liturgy, architecture, art history, secular and ecclesiastical history and hagiography, as a step towards reassembling the tesserae of cultural history into the rich mosaic from which they came.
This book provides a thorough introduction to the art and practice of plainsong, the monophonic chant used in medieval liturgy. Based on a series of lectures delivered to the Plainsong Mediaeval...
This book contains the one hundred fifty psalms of David set to plainsong psalm tones with antiphons as selected and compiled by Howard E. Galley, Jr. Originally, they were published in The Psalter...
""The Plainsong of the Mass, Part 1"" is a book that was first published in 1896 by the Plainsong and Mediaeval Music Society. The book is an adaptation of the Sarum Gradual, which was a medieval...