In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country's most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists-Bob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, Joni Mitchell, the Velvet Underground, Sam and Dave, Bruce Springsteen, and StevieWonder-assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel.Out of the Vinyl Deeps collects for the first time Willis's Rock, Etc. columns and her other writings about popular music from this period (including liner notes for works by Lou Reed and Janis Joplin) and reasserts her rightful place in rock music criticism.
In 1968, the New Yorker hired Ellen Willis as its first popular music critic. Her column, Rock, Etc., ran for seven years and established Willis as a leader in cultural commentary and a pioneer in the nascent and otherwise male-dominated field of rock criticism. As a writer for a magazine with a circulation of nearly half a million, Willis was also the country's most widely read rock critic. With a voice at once sharp, thoughtful, and ecstatic, she covered a wide range of artists-Bob Dylan, The Who, Van Morrison, Elvis Presley, David Bowie, the Rolling Stones, Creedence Clearwater Revival, Joni Mitchell, the Velvet Underground, Sam and Dave, Bruce Springsteen, and StevieWonder-assessing their albums and performances not only on their originality, musicianship, and cultural impact but also in terms of how they made her feel.Out of the Vinyl Deeps collects for the first time Willis's Rock, Etc. columns and her other writings about popular music from this period (including liner notes for works by Lou Reed and Janis Joplin) and reasserts her rightful place in rock music criticism.
It's all Tinkler's fault. If it weren't for his obsession with the 1970s electric folk band, Black Dog, none of this would have happened. At the height of their success, the members of Black Dog...
His first adventure consisted of the search for a rare record; his second the search for a lost child. Specifically the child of Valerian, lead singer of a great rock band of the 1960s, who hanged...
This time the search for a rare record ensnares our hero in a mystery with its roots stretching back to the Second World War.Three young RAF airmen played in a legendary band called the Flare Path...
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