Narrative Innovation and Cultural Rewriting in the Cold War Era undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological divisions (real vs. imaginary, wordly, and other-worldly), sociocultural oppositions (of race, class, gender), and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.
Narrative Innovation and Cultural Rewriting in the Cold War Era and After
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$122.00
Description
Narrative Innovation and Cultural Rewriting in the Cold War Era undertakes a systematic study of postmodernism's responses to the polarized ideologies of the postwar period that have held cultures hostage to a confrontation between rival ideologies abroad and a clash between champions of uniformity and disruptive others at home. Considering a broad range of narrative projects and approaches (from polysystemic fiction to surfiction, postmodern feminism, and multicultural/postcolonial fiction), this book highlights their solutions to ontological divisions (real vs. imaginary, wordly, and other-worldly), sociocultural oppositions (of race, class, gender), and narratological dualities (imitation vs. invention, realism vs. formalism). A thorough rereading of the best experimental work published in the US since the mid-1960s reveals the fact that innovative fiction has been from the beginning concerned with redefining the relationship between history and fiction, narrative and cultural articulation. Stepping back from traditional polarizations, innovative novelists have tried to envision an alternative history of irreducible particularities, excluded middles, and creative intercrossings.
The end of the Cold War between the United States and the former Soviet Union reassured people around the world who had lived in fear of a nuclear confrontation between the superpowers. Yet the early...
This concise historical narrative by a prize-winning Cold War historian covers the entire Cold War period from the Yalta conference of 1945 to the dissolution of the Soviet Union in 1991. The book...
The Cold War era spawned a host of anxieties in American society, and in response, Americans sought cultural institutions that reinforced their sense of national identity and held at bay their...
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