'Extraordinary ... details what makes women characters iconic in Hindi cinema and analyses them in relation to their directors and more importantly to the society at that point of time' -Rani Mukerji It's been a long hundred years since Dadasaheb Phalke had to settle for a man to play the heroine in India's first feature film, Raja Harishchandra (1913) - and women in Hindi cinema have come a long way since then. Mother Maiden Mistress documents that journey: from a time in which cinema was considered a profession beneath the dignity of 'respectable' women to an era when women actors are icons and idols. Bhawana Somaaya, Jigna Kothari and Supriya Madangarli sift through six decades of history, bringing to life the women that peopled cinema and the popular imagination, and shaped fashion and culture. Contemporary readers will also find here a nuanced historical perspective - of the social milieu of the time, of the nation and of Hindi cinema itself. Also riveting are the first-person narratives of a leading actress from each decade - Waheeda Rehman, Asha Parekh, Hema Malini, Shabana Azmi, Madhuri Dixit and Rani Mukerji - all close-up examinations of how some of the iconic characters of Hindi cinema came to be. At once a guide, an archive and a cracking good read, the book records and reviews the woman in Hindi cinema - the mythical, the Sati-Savitri, the rebel, the avant-garde and the contemporary. In a journey through six decades of cinema, seemingly, the more things have changed, the more they have remained the same.
'Extraordinary ... details what makes women characters iconic in Hindi cinema and analyses them in relation to their directors and more importantly to the society at that point of time' -Rani Mukerji It's been a long hundred years since Dadasaheb Phalke had to settle for a man to play the heroine in India's first feature film, Raja Harishchandra (1913) - and women in Hindi cinema have come a long way since then. Mother Maiden Mistress documents that journey: from a time in which cinema was considered a profession beneath the dignity of 'respectable' women to an era when women actors are icons and idols. Bhawana Somaaya, Jigna Kothari and Supriya Madangarli sift through six decades of history, bringing to life the women that peopled cinema and the popular imagination, and shaped fashion and culture. Contemporary readers will also find here a nuanced historical perspective - of the social milieu of the time, of the nation and of Hindi cinema itself. Also riveting are the first-person narratives of a leading actress from each decade - Waheeda Rehman, Asha Parekh, Hema Malini, Shabana Azmi, Madhuri Dixit and Rani Mukerji - all close-up examinations of how some of the iconic characters of Hindi cinema came to be. At once a guide, an archive and a cracking good read, the book records and reviews the woman in Hindi cinema - the mythical, the Sati-Savitri, the rebel, the avant-garde and the contemporary. In a journey through six decades of cinema, seemingly, the more things have changed, the more they have remained the same.
New York Times and USA Today best-selling author, Judy Angelo, presents another international romance in the family saga, The Castillos:From the first time he meets his grandfather's private nurse,...
In the city of Bhopal, where Gayatri lives with her Papa and Ma, mistresses are a common sight and her household is no exception. When Papa suffers a second cardiac arrest, he invites his young...
In our journey toward spiritual evolution, each of us goes through the stages of Maiden (infant to puberty), Mother (adult and parent), and Crone (wise elder). Maiden, Mother, Crone is a guide to the...
The subject of this book by one of the Church of England's most respected Anglo-Catholic priests could hardly be more central. The rekindling of devotion to Mary has been one of the many gifts of the...
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