The pioneering and hugely influential work of Mikhail Bakhtin has led scholars in recent decades to see all discourse and social life as inherently "dialogical." No speaker speaks alone, because our words are always partly shaped by our interactions with others, past and future. Moreover, we never fashion ourselves entirely by ourselves, but always do so in concert with others. Bakhtin thus decisively reshaped modern understandings of language and subjectivity. And yet, the contributors to this volume argue that something is potentially overlooked with too close a focus on dialogism: many speakers, especially in charged political and religious contexts, work energetically at crafting monologues, single-voiced statements to which the only expected response is agreement or faithful replication. Drawing on ethnographic case studies from the United States, Iran, Cuba, Indonesia, Algeria, and Papua New Guinea, the authors argue that a focus on "the monologic imagination" gives us new insights into languages' political design and religious force, and deepens our understandings of the necessary interplay between monological and dialogical tendencies.
The pioneering and hugely influential work of Mikhail Bakhtin has led scholars in recent decades to see all discourse and social life as inherently "dialogical." No speaker speaks alone, because our words are always partly shaped by our interactions with others, past and future. Moreover, we never fashion ourselves entirely by ourselves, but always do so in concert with others. Bakhtin thus decisively reshaped modern understandings of language and subjectivity. And yet, the contributors to this volume argue that something is potentially overlooked with too close a focus on dialogism: many speakers, especially in charged political and religious contexts, work energetically at crafting monologues, single-voiced statements to which the only expected response is agreement or faithful replication. Drawing on ethnographic case studies from the United States, Iran, Cuba, Indonesia, Algeria, and Papua New Guinea, the authors argue that a focus on "the monologic imagination" gives us new insights into languages' political design and religious force, and deepens our understandings of the necessary interplay between monological and dialogical tendencies.
This collection of contemporary monologues features familiar, well-established authors who voice traditional views on current issues and a host of new, contemporary authors who offer fresh, original...
Sebastian Ising, 1980 in Dinslaken geboren, lebt und arbeitet in Bochum. Seine lyrischen Monologe skizzieren eine Reise in das Emotionale, eine gefühlvolle Treibjagd, den Widersprüchen der...
The unique format of this book will get students talking whether they’re actors or not! Duologs are not scenes for two people; rather, they are a pair of monologs about the same subject but...
Die Frage der Fragen: Warum bin ich, wie ich bin - auf dieser Erde. Die Alternative zu dieser Frage wäre, diese mit Drogen zuzuschütten. Es gibt alternativ eine andere Möglichkeit. Sich selbst zu...
Peg Kehret's middle grade books have won more than 50 state and national young reader awards. So these "scare-free" monologs are perfect for speech contests, acting exercises, auditions, or as part...
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