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Mikael Olsson

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Hardback
84 Pages
1 February 2021
RRP: $90.00
$87.00
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In on | auf the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London.

By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object-a visual narrative uncovering issues of memory, identity and perception.

The book includes an essay by author Péter Nádas entitled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography.

In his images Mikael Olsson is fascinated by the tension between visual constituents and visual conventions, the reality of perception and the reality of vision, of the concrete and the abstract.
Péter Nádas

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    Product Details
    ISBN-13
    9783958291966
    Publisher
    Steidl
    Published
    1 February 2021
    Format
    Hardback
    Pages
    84

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    RRP: $90.00
    $87.00
    Ships in 2-5 business days

    Delivery estimate

    Hurry up! Current stock:

    Mikael Olsson

    RRP: $90.00
    $87.00

    Description

    In on | auf the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London.

    By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object-a visual narrative uncovering issues of memory, identity and perception.

    The book includes an essay by author Péter Nádas entitled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography.

    In his images Mikael Olsson is fascinated by the tension between visual constituents and visual conventions, the reality of perception and the reality of vision, of the concrete and the abstract.
    Péter Nádas

    You Can Find This Title In

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