This book examines a series of contemporary plays where writers put theatre itself on stage. The texts examined variously dramatize how theatre falls short in response to the demands of violence, expose its implication in structures of violence-including racism and gender-based violence-and illustrate how it might effectively resist violence through reconfiguring representation. Case studies, which include Jackie Sibblies Drury's We Are Proud to Present and Fairview, Ella Hickson's The Writer and Tim Crouch's The Author, provide a range of practice-based perspectives on the question of whether theatre is capable of accounting for and expressing the complexities of structural and interpersonal violence as both lived in the body and borne out in society. The book will appeal to scholars and artists working in the areas of violence, theatre and ethics, witnessing, memory and trauma, spectatorship and contemporary dramaturgy, as well as to those interested in both the doubts and dreams we have about the role of theatre in the twenty-first century.
This book examines a series of contemporary plays where writers put theatre itself on stage. The texts examined variously dramatize how theatre falls short in response to the demands of violence, expose its implication in structures of violence-including racism and gender-based violence-and illustrate how it might effectively resist violence through reconfiguring representation. Case studies, which include Jackie Sibblies Drury's We Are Proud to Present and Fairview, Ella Hickson's The Writer and Tim Crouch's The Author, provide a range of practice-based perspectives on the question of whether theatre is capable of accounting for and expressing the complexities of structural and interpersonal violence as both lived in the body and borne out in society. The book will appeal to scholars and artists working in the areas of violence, theatre and ethics, witnessing, memory and trauma, spectatorship and contemporary dramaturgy, as well as to those interested in both the doubts and dreams we have about the role of theatre in the twenty-first century.
This book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre's capacity to illuminate the wider...
Filming Shakespeare, from Metatheatre to Metacinema is the first book-length study of Shakespeare film adaptations concerned with metacinematic criticism. The volume offers a thoroughly researched...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures,...
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