Contributing to the growing debate around the definition of Mediterranean noir, Barbara Pezzotti's groundbreaking study is the first in English to propose a rigorous classification of Mediterranean crime fiction. Intersecting crime fiction studies and Mediterranean studies, this interdisciplinary book provides a coherent and stringent definition in which the Mediterranean setting is not in the background, but is a meaningful arena where transnational space, globalisation and environmental issues are discussed; questions of regional, national and transcultural identity are investigated; and the themes of gender and violence are tackled. Pezzotti offers new ways of reading established crime novelists, such as Andrea Camilleri, Jean-Claude Izzo and Manuel Vázquez Montalbán, alongside less well-known writers. To date, no other book-length study has taken a transnational and transcultural approach to these authors, and here Pezzotti invites us to consider the wider Mediterranean dimensions of their crime narratives, beyond their national contexts.
This study of forensic crime fiction from the US and the UK examines the prominent roles that women play in many of these novels, arguing that there are historical continuities with earlier forms of...
The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and...
This book opens up a range of important perspectives on law and violence by considering the ways in which their relationship is formulated in literature, television and film. Employing critical legal...