Horror film is particularly prone to articulating fears and tensions about maternal figures, and reflects cultural apprehensions concerning the changing nature of motherhood. Via predominantly US and European case studies, Maternal Horror Film: Melodrama and Motherhood establishes a framework for understanding two dominant representations of motherhood: self-sacrificing and demonic. Building on this, Arnold investigates how discourses of motherhood exist within East Asian horror texts using popular recent horror films to illustrate. Historical and contemporary case studies include Psycho (1960), Poltergeist (1985), Invasion (2007), Ringu (1998), The Others (2001), Dark Water (2003), and The Seventh Sign (1988). Ultimately, Arnold suggests that, while such films might have some cultural and historical specificity, there is nonetheless a dialogue between genres, eras, and national cinemas and cultures, which is only evident through close textual analysis.
Horror film is particularly prone to articulating fears and tensions about maternal figures, and reflects cultural apprehensions concerning the changing nature of motherhood. Via predominantly US and European case studies, Maternal Horror Film: Melodrama and Motherhood establishes a framework for understanding two dominant representations of motherhood: self-sacrificing and demonic. Building on this, Arnold investigates how discourses of motherhood exist within East Asian horror texts using popular recent horror films to illustrate. Historical and contemporary case studies include Psycho (1960), Poltergeist (1985), Invasion (2007), Ringu (1998), The Others (2001), Dark Water (2003), and The Seventh Sign (1988). Ultimately, Arnold suggests that, while such films might have some cultural and historical specificity, there is nonetheless a dialogue between genres, eras, and national cinemas and cultures, which is only evident through close textual analysis.
Horror films can be profound fables of human nature and important works of art, yet many people dismiss them out of hand. 'Horror and the Horror Film' conveys a mature appreciation for horror films...
Horror Film: Creating and Marketing Fearedited by Steffen Hantkewith essays by Stacey Abbott, Michael Arnzen, Blair Davis, David Scott Diffrient, Richard J. Hand, James Kendrick, Claire Sisco King, K...
Why do so many of us enjoy being told frightening stories? What are some of the consequences that result from such exposure? In light of the considerable popularity of horror films over the last...
Combining historical narrative with close readings of several significant horror films, this brief volume offers a broad and lively introduction to cinematic horror. In doing so, it outlines and...
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