This new collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. These poems try to understand the many different means we use to come closer to articulating, and avoiding, experience. Drawing on the language of comedy, improvisation, drag and clown, Low interrogates humour's role in enacting the possibility of change. A thought-provoking, irreverent and challenging book, Low exemplifies Chrissy Williams' ability to find 'seriousness in the apparently trivial and ephemeral' (Poetry Review). Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017. She has also published several pamphlets, one of which was shortlisted for the Michael Marks Award. Low is her second full-length collection.
This new collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. These poems try to understand the many different means we use to come closer to articulating, and avoiding, experience. Drawing on the language of comedy, improvisation, drag and clown, Low interrogates humour's role in enacting the possibility of change. A thought-provoking, irreverent and challenging book, Low exemplifies Chrissy Williams' ability to find 'seriousness in the apparently trivial and ephemeral' (Poetry Review). Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017. She has also published several pamphlets, one of which was shortlisted for the Michael Marks Award. Low is her second full-length collection.
Like much of SMEs research, innovation studies of small enterprises have commenced later and are less numerous. The focus of such studies remains high-technology enterprises, which continue to...
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