In 1845, John Franklin's Northwest Passage expedition disappeared. The expedition left a remarkable archive of performative remains that entice one to consider the tension between material remains and memory, to contemplate how affect influences historical narratives, and to reflect on how substitution and surrogation work alongside mourning and melancholia as responses to loss. This book proposes that performances generate critical insights into how those affected by the expedition's disappearance understood the losses they experienced and makes the broader argument that performance functions as a repository of cultural history and as an epistemology of loss.
In 1845, John Franklin's Northwest Passage expedition disappeared. The expedition left a remarkable archive of performative remains that entice one to consider the tension between material remains and memory, to contemplate how affect influences historical narratives, and to reflect on how substitution and surrogation work alongside mourning and melancholia as responses to loss. This book proposes that performances generate critical insights into how those affected by the expedition's disappearance understood the losses they experienced and makes the broader argument that performance functions as a repository of cultural history and as an epistemology of loss.
'At last, the past has arrived! Performing Remains is Rebecca Schneider's authoritative statement on a major topic of interest to the field of theatre and performance studies. It extends and...
The author started writing poems less than a year ago and has decided to complete a book of poetry and reflections. Some of these poems were birth from personal pain and loss. Hence, this book holds...
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