The Invisible Satirist offers a fresh new reading of the Satires of Juvenal, rediscovering the poet as a smart and scathing commentator on the cultural and political world of second-century Rome. Breaking away from the focus in recent scholarship on issues of genre, this study situates Juvenal's Satires within the context of the politics, oratory, and philosophy of Rome under Trajan and Hadrian. In particular, the book shows how Juvenal offers a distinctively Roman response to the Greek sophists and philosophers of the so-called "Second Sophistic." Whereas earlier studies argued for the satirist's adoption of an ironic persona in his poems, this book stresses the absence of any guiding, coherent first-person voice in his work, emphasizing instead the poems' plurality of voices and thematic preoccupation with performance and disguise. These sprawling rhetorical texts, intricately constructed but deliberately lacking any strong personal voice, ultimately communicate a sense of rootlessness and loss of identity-a sense of being invisible-within the cosmopolitan second-century world. The book will appeal to students and scholars of Roman satire, Imperial Roman culture, and Second Sophistic literature.
The Invisible Satirist offers a fresh new reading of the Satires of Juvenal, rediscovering the poet as a smart and scathing commentator on the cultural and political world of second-century Rome. Breaking away from the focus in recent scholarship on issues of genre, this study situates Juvenal's Satires within the context of the politics, oratory, and philosophy of Rome under Trajan and Hadrian. In particular, the book shows how Juvenal offers a distinctively Roman response to the Greek sophists and philosophers of the so-called "Second Sophistic." Whereas earlier studies argued for the satirist's adoption of an ironic persona in his poems, this book stresses the absence of any guiding, coherent first-person voice in his work, emphasizing instead the poems' plurality of voices and thematic preoccupation with performance and disguise. These sprawling rhetorical texts, intricately constructed but deliberately lacking any strong personal voice, ultimately communicate a sense of rootlessness and loss of identity-a sense of being invisible-within the cosmopolitan second-century world. The book will appeal to students and scholars of Roman satire, Imperial Roman culture, and Second Sophistic literature.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks,...
The Satirist V2: Or Monthly Meteor is a book written by Samuel Tipper and published in 1808. It is a collection of satirical essays, poems, and articles that were originally published in a monthly...
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