In 2016, Chicago Shakespeare Theater and the Stratford Festival of Canada mounted marathons through Shakespearean history to commemorate the 400th anniversary of the death of Shakespeare with Tug of War and Breath of Kings. Both productions invited parallels to contemporary political events in their promotion and design, just as the original performances of these works in the Shakespearean era used past events to comment on present realities. Endurathons for cast and audience alike, Tug of War and Breath of Kings used double-casting, stylized treatments of violence and 'firsts' for each company to sweeten the bitter pill of these historical narratives.
". . . superior, providing unique insights into the performances of Grieg's piano compositions." --NotesReading Onstage with Grieg is almost like taking a private lesson with Einar Steen-N kleberg,...
As the Kremlin's crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the...
This book argues for a deconstructive approach to the practice and writing of history at a moment when available forms for writing and publishing history are undergoing radical transformation. To do...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...