Here is a definitive introduction to liberation theology through the life and work of its most significant proponent, Gustavo Gutierrez. Robert McAfee Brown draws extensively on Gutierrez's own writings (some never published in English) and on personal conversations with him. Brown clearly and compellingly presents the basics of liberation theology and the differences between North American and Latin American theologies.The form of Gustavo Gutierrez is that of a drama. Brown's initial ""program notes"" introduce and situate the ""author,"" the ""actors,"" the ""critics."" He sets the stage with a history of church and state in Latin America and introduces its definitive figures, themes, and milestones. A collective biography of Gutierrez's spiritual predecessors is followed by a biography of Gutierrez himself, which takes critical account of his works. Then we are ready, dramatically and theologically, to move to the first act: that of commitment to the poor. The second act, in two scenes, explores first liberation theology's method of critical reflection on praxis and also its content: nothing less than the Word of God.Brown delves next into the controversies and criticisms Gutierrez faces, especially the challenges from authorities in Rome. Finally, in act three, readers discover that in this particular drama, they too are ""on stage"" and must take part by reflecting on what this drama really means for them.
Here is a definitive introduction to liberation theology through the life and work of its most significant proponent, Gustavo Gutierrez. Robert McAfee Brown draws extensively on Gutierrez's own writings (some never published in English) and on personal conversations with him. Brown clearly and compellingly presents the basics of liberation theology and the differences between North American and Latin American theologies.The form of Gustavo Gutierrez is that of a drama. Brown's initial ""program notes"" introduce and situate the ""author,"" the ""actors,"" the ""critics."" He sets the stage with a history of church and state in Latin America and introduces its definitive figures, themes, and milestones. A collective biography of Gutierrez's spiritual predecessors is followed by a biography of Gutierrez himself, which takes critical account of his works. Then we are ready, dramatically and theologically, to move to the first act: that of commitment to the poor. The second act, in two scenes, explores first liberation theology's method of critical reflection on praxis and also its content: nothing less than the Word of God.Brown delves next into the controversies and criticisms Gutierrez faces, especially the challenges from authorities in Rome. Finally, in act three, readers discover that in this particular drama, they too are ""on stage"" and must take part by reflecting on what this drama really means for them.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks,...
In his reflections on decolonization and post-development, Gustavo Esteva forged a unique synthesis of critical theory and political economy. This book presents more than half a century of...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
Schroeder offers a thorough introduction to the films of Tomás Gutiérrez Alea, Cuba's leading filmmaker, covering all 12 of Alea's feature films and examining in depth his three best films within the...
Hello, Gustavo! Welcome to the world of books. This colorful, personalized keepsake is just for you. In Gustavo's Reading Log, your family and friends will be able to record the first 200 books you...
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