In every era of Urdu fiction, two perspectives have been authentic and popular. One of these angles is the knowledge of the ground phenomenon and under this, the fiction writer has seen the phenomena of life very closely. The second point of view is the claimant of imaginative tendency and under its influence, the fiction writer has taken a wandering look at the surroundings from the height of imagination and thus his gaze did not stop at a particular place or point instead all environments have been covered. An analytical research and critical review of the art of some well-known Urdu fiction writers has been presented in this book.
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اردو افسانے کے ہر دور میں دیکھنے کے دو زاویے مستند اور مقبول رہے ہیں۔ ان میں سے ایک زاویہ تو زمینی رجحان کا علم بردار ہے اور اس کے تحت افسانہ نگار نے زندگی کے مظاہر کو بہت قریب سے دیکھا ہے۔ دوسرا زاویہ نگاہ تخیلی رجحان کا داعی ہے اور اس کے زیر اثر افسانہ نگار نے تخیل کی بلندی پر سے گرد و نواح پر ایک اچٹتی سی نظر ڈالی ہے اور یوں کسی خاص مقام یا نقطے پر اس کی نگاہیں مرتکز ہو کر رک نہیں گئیں بلکہ سارے ماحول کا احاطہ کرتی چلی گئی ہیں۔ اس کتاب کے کچھ معروف اردو افسانہ نگاروں کے فن کا ایک تحقیقی و تنقیدی جائزہ پیش کیا گیا ہے۔
In every era of Urdu fiction, two perspectives have been authentic and popular. One of these angles is the knowledge of the ground phenomenon and under this, the fiction writer has seen the phenomena of life very closely. The second point of view is the claimant of imaginative tendency and under its influence, the fiction writer has taken a wandering look at the surroundings from the height of imagination and thus his gaze did not stop at a particular place or point instead all environments have been covered. An analytical research and critical review of the art of some well-known Urdu fiction writers has been presented in this book.
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اردو افسانے کے ہر دور میں دیکھنے کے دو زاویے مستند اور مقبول رہے ہیں۔ ان میں سے ایک زاویہ تو زمینی رجحان کا علم بردار ہے اور اس کے تحت افسانہ نگار نے زندگی کے مظاہر کو بہت قریب سے دیکھا ہے۔ دوسرا زاویہ نگاہ تخیلی رجحان کا داعی ہے اور اس کے زیر اثر افسانہ نگار نے تخیل کی بلندی پر سے گرد و نواح پر ایک اچٹتی سی نظر ڈالی ہے اور یوں کسی خاص مقام یا نقطے پر اس کی نگاہیں مرتکز ہو کر رک نہیں گئیں بلکہ سارے ماحول کا احاطہ کرتی چلی گئی ہیں۔ اس کتاب کے کچھ معروف اردو افسانہ نگاروں کے فن کا ایک تحقیقی و تنقیدی جائزہ پیش کیا گیا ہے۔
The history of Urdu language and literature is replete with literary movements and attitudes, but two in particular have had a significant impact on and enhanced Urdu language and literature...
Whenever we look back, we miss many things. Many people are missed and many stories are also remembered. Some memories make us laugh and some make us cry. The people who left us cannot come back but...
There are different ways to educate people. Of all of them, the film is unanimously recognized as the most influential. Acting or characterization is the name of this art, through which the emotions...
This book Manto ke kuch Khutoot contains few of the letters that Manto wrote. These works were never published while Manto was alive, but they were subsequently made accessible through some of his...
The short-story, also known as "afsaana," is one of the most important literary subgenres in Urdu literature, despite its relative youth. This was influenced by western and literary concepts and...
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