It's Manhattan, 1983. The Rocky Horror Picture Show is going strong at the 8th Street Playhouse. HIV/AIDS is still called "the gay plague." The Twin Towers still stand tall. And Spencer Hill is convinced God has called him to the Episcopal priesthood.
There's just one problem. He's gay.
Determined to stay the course, Spencer avoids Donald Rainey, a young actor he's attracted to. Then he tries dating a woman, another candidate at General Theological Seminary. Then, as a last resort, he considers a life of chastity.
His attempts to deny his orientation fail, and he has a crisis of faith that nearly sends him over the edge. He's saved by an insightful therapist and by his relationship with Donald, which he can no longer avoid. Then his life is in disarray again when Donald's life takes a religious turn Spencer cannot accept, and he must find a path where there is no conflict between God and gay.
It's Manhattan, 1983. The Rocky Horror Picture Show is going strong at the 8th Street Playhouse. HIV/AIDS is still called "the gay plague." The Twin Towers still stand tall. And Spencer Hill is convinced God has called him to the Episcopal priesthood.
There's just one problem. He's gay.
Determined to stay the course, Spencer avoids Donald Rainey, a young actor he's attracted to. Then he tries dating a woman, another candidate at General Theological Seminary. Then, as a last resort, he considers a life of chastity.
His attempts to deny his orientation fail, and he has a crisis of faith that nearly sends him over the edge. He's saved by an insightful therapist and by his relationship with Donald, which he can no longer avoid. Then his life is in disarray again when Donald's life takes a religious turn Spencer cannot accept, and he must find a path where there is no conflict between God and gay.
How can a God of love also be a God of judgment? If God loves everyone, what is the point of judgment? Does God change from being wrathful in the Old Testament to loving in the New Testament? Can we...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
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