This book focuses on Dostoevsky's first literary publication-his 1844 translation of the first edition of Balzac's Eugnie Grandet (1834). Through the prism of close reading, the author analyzes Dostoevsky's literary debut and the stylistic choices he made while working on Balzac's novel in the context of his future mature aesthetic style and poetics.
The focus of this study in comparative criticism is close analysis of Dostoevsky's first literary publication-his 1844 translation of the first edition of Balzac's Eugnie Grandet (1834)-and the stylistic choices that he made as a young writer while working on Balzac's novel. Through the prism of close reading, the author analyzes Dostoevsky's literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, this book focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky's free translation of Eugnie Grandet predicts the creation of his own literary characters, themes, and other aspects of his literary output that are now recognized as Dostoevsky's signature style. It investigates the changes that Dostoevsky made while working on Balzac's text and analyzes the complex transplantation of Balzac's imagery, motifs, and character portraiture from Eugnie Grandet into Dostoevsky's own writing later on.
The focus of this study in comparative criticism is close analysis of Dostoevsky's first literary publication-his 1844 translation of the first edition of Balzac's Eugnie Grandet (1834)-and the stylistic choices that he made as a young writer while working on Balzac's novel. Through the prism of close reading, the author analyzes Dostoevsky's literary debut in the context of his future mature aesthetic style and poetics. Comparing the original and the translation side by side, this book focuses on the omissions, additions and substitutions that Dostoevsky brought into the text. It demonstrates how young Dostoevsky's free translation of Eugnie Grandet predicts the creation of his own literary characters, themes, and other aspects of his literary output that are now recognized as Dostoevsky's signature style. It investigates the changes that Dostoevsky made while working on Balzac's text and analyzes the complex transplantation of Balzac's imagery, motifs, and character portraiture from Eugnie Grandet into Dostoevsky's own writing later on.
Written over a period of twenty-five years, this first volume in a trilogy is intended to depict in the life and work of writers of different nationalities--Balzac, Dickens, and Dostoevsky--the...
This book provides a collection of letters and reminiscences about the life and work of the famous Russian writer Fyodor Dostoevsky.This work has been selected by scholars as being culturally...
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