This Element surveys transmissions of ancient Greek and Latin texts into anglophone literatures, often straddling boundaries between translational responsibility and adaptive, re-creative textual practices. Attention to manifestations of and reasons for versioning, retranslation, hybridity, and translation as experiment, compels an introductory discussion of evolving tendencies of classical reception; with particular dispositions relating to a sociocultural context such as that of the United States observed in Section 3. The role paratexts play in the dialogue between scholarship, literary art, and performance, is the focus of Section 4, while Section 2 presents readers with a range of English responses to Homer. Creativity through sites and positions of translation is a defining feature of the workings of literary traditions; and of antiquity and modernity, in constant dialogue. This Element explores numerous textual manifestations and reasons for invention, along with integrations of thinking on classical translation over the centuries, helping shape present-day translation studies.
Kirsten Malmkjær argues that translating can and should be considered a valuable art form. Examining notions of creativity and their relationship with translation and focusing on how the originality...
Computers offer new perspectives in the study of language, allowing us to see phenomena that previously remained obscure because of the limitations of our vantage points. It is not uncommon for...