'Body horror', a horror subgenre concerned with transformation, loss of control and the human body's susceptibility to disease, infection and external harm, has moved into the mainstream to become one of the greatest repositories of biopolitical discourse. Put simply, body horror acts out the power flows of modern life, visualising often imperceptible or ignored processes of marginalisation and behavioural policing, and revealing how interrelations between different social spheres (medical, legal, political, educational) produce embodied identity. This book offers the first sustained study of the types of body horror that have been popular in the twenty-first century and centres on the representational and ideological work they carry out. It proposes that, thanks to the progressive vision of feminist, queer and anti-racist practitioners, this important subgenre has expanded its ethical horizons and even found a sense of celebratory liberation in fantastic metamorphoses redolent of contemporary activist movements.
Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women's bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes,...
The successful return of horror to our television screens in the post-millennial years, and across a multi-media range of platforms, demonstrates that this previously moribund genre is once again...