From 1991 to 2012, Nathan D. Mitchell was the author of the "Amen Corner" that appeared at the end of each issue of Worship. Readers of Worship grew accustomed to Nathan's columns as invitations to rethink the practice of Christian worship through a liturgical theology that was interdisciplinary, aesthetic, and attentive to history. With the soul of a poet, Nathan was always on the lookout for the turn of phrase, image, stanza, or metaphor from other classic wordsmiths that could capture the liturgical insight he wanted to explore.
From 1991 to 2012, Nathan D. Mitchell was the author of the "Amen Corner" that appeared at the end of each issue of Worship. Readers of Worship grew accustomed to Nathan's columns as invitations to rethink the practice of Christian worship through a liturgical theology that was interdisciplinary, aesthetic, and attentive to history. With the soul of a poet, Nathan was always on the lookout for the turn of phrase, image, stanza, or metaphor from other classic wordsmiths that could capture the liturgical insight he wanted to explore.
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional...
Liturgy - Or, Book of Worship, for the use of the new Church signified by the new Jerusalem is an unchanged, high-quality reprint of the original edition of 1860.Hansebooks is editor of the...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks,...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
A study of the music of words in the context of worship. The basic antithesis between words as semantic carriers and words as evokers of feeling and memory leads to consideration of the effect of...
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