’If I have been a vagabond, and have never been able to root myself in any one place in the world, it is because I have no early memories of any one sky or soil. It has freed me from many prejudices in giving me its own unresting kind of freedom; but it has cut me off from whatever is stable, of long growth in the world.’ — Arthur Symons
Arthur Symons (1865-1945) was a central figure in the cultural and social networks of the British fin de siècle. He was an often controversial poet and critic who introduced British readers to French Decadence and Symbolism and had an equally important if largely unacknowledged influence on the development of modernism. In 1908 – the year of a mental breakdown that had a disastrous effect both on his career and posthumous reputation – W.B. Yeats referred to him as ‘the best critic of his generation.’ Symons’s vast body of work also includes fiction and writings on the visual arts, music, theatre and the popular stage, as well as translations of Baudelaire, Mallarmé, Verlaine and D’Annunzio. The essays in this volume reflect the breadth of Symons’s interests, reassessing this dynamic writer who played a key mediating role between English and European literatures, and between the nineteenth and twentieth centuries.
’If I have been a vagabond, and have never been able to root myself in any one place in the world, it is because I have no early memories of any one sky or soil. It has freed me from many prejudices in giving me its own unresting kind of freedom; but it has cut me off from whatever is stable, of long growth in the world.’ — Arthur Symons
Arthur Symons (1865-1945) was a central figure in the cultural and social networks of the British fin de siècle. He was an often controversial poet and critic who introduced British readers to French Decadence and Symbolism and had an equally important if largely unacknowledged influence on the development of modernism. In 1908 – the year of a mental breakdown that had a disastrous effect both on his career and posthumous reputation – W.B. Yeats referred to him as ‘the best critic of his generation.’ Symons’s vast body of work also includes fiction and writings on the visual arts, music, theatre and the popular stage, as well as translations of Baudelaire, Mallarmé, Verlaine and D’Annunzio. The essays in this volume reflect the breadth of Symons’s interests, reassessing this dynamic writer who played a key mediating role between English and European literatures, and between the nineteenth and twentieth centuries.
This collection of poems by Arthur Symons offers a window into the mind of one of the most important poets of the late 19th and early 20th centuries. Symons, a member of the Decadent movement, was...
This collection of poems by Arthur Symons offers a window into the mind of one of the most important poets of the late 19th and early 20th centuries. Symons, a member of the Decadent movement, was...
Arthur Symons is best known for his poetry, his critical study The Symbolist Movement in Literature (1900), and his editorship of The Savoy (1896). Poised between decadence and modernism, his short...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
Arthur Symons (1865-1945) was a British poet, dramatist and literary critic. He is now best known for his critical work, The Symbolist Movement in Literature (1899), and his role as a poet within the...
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