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Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

Gillian A. M. Mitchell

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'Adult Reactions to Popular Music and Inter-generational Relations in Britain, 19551975' constitutes a thematic examination of the pervasive assumption that 'the older generation' reacted in a largely negative fashion to music styles popular with British young people from the 1950s to the mid-1970s (including rock 'n' roll, skiffle, 'beat' and rock music) and that the music invariably exacerbated inter-generational tensions.
Hardback
28-February-2019
240 Pages
$159.00
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Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975 challenges stereotypes concerning a post-war 'generation gap', exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores `encounters' between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

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$159.00
Ships in 3-5 business days
Hurry up! Current stock:

Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975

$159.00

Description

Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955-1975 challenges stereotypes concerning a post-war 'generation gap', exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores `encounters' between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.

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