Evangelical discourse on the role of arts in the church can be radioactive, and the twenty-one contributors to this book walk right into the ""hot zone"" to pick up on twenty contentious questions. The volume is a series of written dialogues, each one keyed to a cranky question, one that a skeptic might raise (hence the title). Herein, the gainsayers are taken seriously and given their voice. They even find support in some of the contributors' comments. But apologists for greater use of arts and artists in the church have their say, and things can get edgy. Topics range from the biblically august (the Second Commandment; the regulative principle; Great Commission priorities) to the prudential (expense; ""bohemian"" influence; weaker brothers) to the programmatic (Christmas festivities; committee makeup). Some of the parties to the discussion are church staffers (pastors and ministers of music); some are professors; several are doctoral students; one is a college student; another, a gallery owner; yet another, a denominational ethicist; and there's a Canadian and a Korean in the mix. The collection of speakers and opinions is illuminating and bracing, and the fruit of their thinking makes for great reading and discussion.
Evangelical discourse on the role of arts in the church can be radioactive, and the twenty-one contributors to this book walk right into the ""hot zone"" to pick up on twenty contentious questions. The volume is a series of written dialogues, each one keyed to a cranky question, one that a skeptic might raise (hence the title). Herein, the gainsayers are taken seriously and given their voice. They even find support in some of the contributors' comments. But apologists for greater use of arts and artists in the church have their say, and things can get edgy. Topics range from the biblically august (the Second Commandment; the regulative principle; Great Commission priorities) to the prudential (expense; ""bohemian"" influence; weaker brothers) to the programmatic (Christmas festivities; committee makeup). Some of the parties to the discussion are church staffers (pastors and ministers of music); some are professors; several are doctoral students; one is a college student; another, a gallery owner; yet another, a denominational ethicist; and there's a Canadian and a Korean in the mix. The collection of speakers and opinions is illuminating and bracing, and the fruit of their thinking makes for great reading and discussion.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
The Arts of the Church: The Religious Drama is a book written by Gordon Crosse and first published in 1913. The book explores the history and significance of religious drama in the context of the...
This book is a reproduction of an informative historical work. Ecclesiastical Sewing has digitally remastered this text, preserving the original ideas for future generations. Since this is the...
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work...
What would happen if you faced your doubts, set aside your preconceptions, and decided to follow the path of truth wherever it might lead? Most people, whether believers or atheists, doggedly defend...
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