This introductory study offers a critical overview of the major works of V. S. Naipaul from 1950 to the present day. Professor Mustafa's main concern is with literary issues, but historical, political and cultural questions are also addressed, with comparative references to other postcolonial works. Paradoxically, a major segment of Naipaul's non-western, pro-decolonisation readership seized on negative elements in his thinking, while Western reaction to his ideas and themes led to set notions about Third-World society. Thus, his work has always been the object of radically divergent views, dependent on the perspective of the reader. In examining this issue, Mustafa introduces general debates about postcolonial literary production and its contemporary interrogation of narrative techniques, language, gender, race, and canon formulation.
Projects the writings of V. S. Naipaul in a dynamic dialogue with the events taking place in Trinidad, organising his works and events taking place decade by decade.The book is about V. S. Naipaul...
Intense, controversial, unfailingly clever, V. S. Naipaul has won nearly every major British writing award, including the prestigious Booker Award (in 1971 for In a Free State) and in 1990 was...
First published in 1988, Peter Hughes explores the work of V. S. Naipaul, and the interplay of fictional and non-fictional patters in what is his obsessive vision of human life. Hughes shows how...