This is a comprehensive attempt to assemble all that is known of theatre at the time of America's political birth. Because many plays performed during the Revolution were overrun with partisan politics, they were not always aesthetically enticing; yet this was one of the only historical eras in which the theatre was used by both sides to help achieve military and political objectives. Whether moralistic or satirical, the plays of the revolution offer unique insights into the sympathies and fears of both loyal and dissident parties, and so serve as a telling document of a socially turbulent age. Brown's extensive research coheres into an invaluable theatrical and historical chronicle which should prove a useful resource for those working in the field.
'Edward Braun''s acclaimed work on Meyerhold available for the first time in paperback. Vsevolod Meyerhold began his career in theatre as an actor with the Moscow Art Theatre, and after a spell in...
Revolution as Theatre reflects the deep concern of a brilliant and disciplined mind confronted with the spectre of "clenched minds and clenched fists." Using his extraordinary grasp of the theatre,...
Groton During The Revolution: With An Appendix (1900) is a historical book written by Samuel Abbott Green. The book is a detailed account of the town of Groton, Massachusetts during the American...
This multi-volume work began as a biography of Martha Wadsworth Coigney, who was a pioneering thought leader and advocate of internationalism in the American theatre during the cold war. It was...