Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
Discover the life and times of an extraordinary composer, Hector Berlioz, through his own words in this gripping autobiography. Follow his journey from his childhood in France, to his travels...